1.
Kick up
the suspense. In this step, external conflict is king. This is where
something physical prevents your character from achieving their goal(s). Author
Avery Flynn says it best in her blog post, What
Are You Looking At—Writing Conflict: “It’s the big, bad thing forcing the
hero into action.” This is the guy who wants to stop your hero or make them
pay, but is he really doing everything possible?
2.
Make it
personal. Use internal conflict to make your readers care about your
characters. They want to be personally invested, they want to root for the good
guy. Develop those inner conflicts and emotional issues.
3.
Keep it
short. Use short sentences to make your reader not only see the suspense,
but feel it as well. Let’s take the following passage as an example:
A set of knuckles connected with his jaw.
The punch to his face forced him back into the wall.
This last sentence reads almost
passively, with a slow narrative feel to it. Now to “keep it short”, we’re
going to change it to make us feel the suspense.
A set of knuckles connected with his jaw.
He slammed into the wall. Hard.
4.
Give your
characters a deadline. Consider Patrick Lee’s novel, Deep Sky. Lee’s main characters, Travis Chase and Paige Campbell,
have only 24 hours to decipher a message to save the world. Doesn’t that alone
make your character’s heart race? From this deadline, you can imagine just how
many obstacles are going to work against them and how on edge your readers will
be.
5.
Have bad
guys worth rooting against. Not every novel has a bad guy. Situations are
used as conflict too. However, if your conflict takes the form of a person or a
group, consider Tami Cowden’s
Villain Archetypes.
In order to make the ultimate
villain, however, your bad guy needs to have believable motivations. Dennis
Palumbo’s article, [title] in this month’s The March of Crime newsletter, explains
readers are less likely to believe your bad guy is psychopathic “just because”
than they will when they discover he’s been abused, his loved one was murdered
or he wants power and money. For suspense, use psychological aspects alongside the violence. Your antagonist can kill a lot of people, he can torture and maim, but psychological attacks have a lasting impression.
By integrating these five elements into your manuscript,
you’ll keep readers drooling for more and leave a lasting impression with the
heros and heroine who overcome such obstacles.
Wonderful advice! Just what I needed to hear today, too, since I'm working on conflict and upping the stakes in the WIP I'm revising. This is a reminder not to pull any punches.
ReplyDelete